This essay identifies “The Scop’s Repertoire” as an Old English traditional theme. The theme associates the making of verse with three motifs: copiousness, orality, and antiquity. With close analogues in Old Saxon, Old and Middle High German, and Old Norse poetry, “The Scop’s Repertoire” originates in an oral Germanic tradition of versification. The theme thus sheds light on the myth of the oral poet, who is either depicted as divinely inspired or as bearer of tradition
The Anglo-Saxon poetic style is very different from the style of the normal prose writing. It is di...
This paper is the first in a three-part series or tryptic that argues for the Old Germanic origins o...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
24 pagesIncludes bibliographical references."“The Scop’s Repertoire” evinces remarkable longevity an...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
This chapter in a collection of essays on oral literature I look at the Old English Beowulf and disc...
The extant corpus of Old English poetry is small, yet during the late twentieth century scholarly st...
The fi rst four sections of this study, which appeared in the May 1986 issue of Oral Tradition, cons...
‘Voicing the Supernatural in Anglo-Saxon England’ is a study of the representation of supernatural v...
For much of the twentieth century critics of Old English poetry dismissed it as aesthetically sub-pa...
This essay examines the representation or staging of oral performance and poetic composition within ...
The ability to compose and perform poetry or song is repeatedly linked with a state of old age in th...
The Anglo-Saxon poetic style is very different from the style of the normal prose writing. It is di...
This paper is the first in a three-part series or tryptic that argues for the Old Germanic origins o...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
24 pagesIncludes bibliographical references."“The Scop’s Repertoire” evinces remarkable longevity an...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
This chapter in a collection of essays on oral literature I look at the Old English Beowulf and disc...
The extant corpus of Old English poetry is small, yet during the late twentieth century scholarly st...
The fi rst four sections of this study, which appeared in the May 1986 issue of Oral Tradition, cons...
‘Voicing the Supernatural in Anglo-Saxon England’ is a study of the representation of supernatural v...
For much of the twentieth century critics of Old English poetry dismissed it as aesthetically sub-pa...
This essay examines the representation or staging of oral performance and poetic composition within ...
The ability to compose and perform poetry or song is repeatedly linked with a state of old age in th...
The Anglo-Saxon poetic style is very different from the style of the normal prose writing. It is di...
This paper is the first in a three-part series or tryptic that argues for the Old Germanic origins o...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...